Subject 3: her

<her> Video as Female Terrain was an group exhibition of video artists who use women and the female form as the inspiration and basis of their work.

An exhibition with 22 female artists and three male artists could perhaps appear feminist if one looks at the list of participating artists. I would prefer for it not to be called into question and accepted as much. The theme of <hers> is not women’s art but rather the artistic confrontation with women and with their representation in the media. By using the save image technology as the mass media, female artists confirm the dominating role – Excerpt from <hers>

Here are some of the pieces and artists which stood out to me in the exhibition:

Pia Greschner – Oriental Gravity.

greschner_v_2001_06
Oriental Gravity is a video installation by Greschner that focuses on a young woman with the accompanying text
SUPERNATURAL I FEEL LIGHT … 24 HOURS SUN … AND BLACK BEACHES … I’M A VIRGIN SACRIFICED TO A VOLCANO … WHAT A BEAUTIFUL DAY … I’M THE WARMEST GIRL IN THE WORLD … PEOPLE TELL ME I’M ROMANTIC ONLY WITH NATURE … I GUESS I MUST HAVE MISSED IT … EXCUSE ME … BUT I’M THE WARMEST GIRL IN THE WORLD
This ties into the way in which I have been looking at the female form in terms of landscape and nature. The hazy, almost surreal look of the piece creates a dreamlike atmosphere.

 

Diane Nerwen – Under the Skin Game

10

http://www.dianenerwen.com/under-the-skin-game/view/10

Nerwen has described her work as using ‘fragmentation, appropriation and digital manipulation are used as strategies of resistance and as ways to subvert the power of images and ideologies portrayed by dominant media culture’. This is shown in Under the Skin Games through fragmented images that create a distorted narrative. The use of black and white highlights the absurdity of the images and the abstraction of the narrative.

 

Chloe Piene – You’re Gonna be my Woman
video_ygbmw_3

http://www.chloepiene.com/videoclip3.html

Chloe Piene is interested in extreme forms of power and survival. In You’re Gonna Be My Woman a bestial woman is cornered but not defeated by the video camera which takes the role of a surveillance camera, representing power which the woman furiously challenges with her behaviour. She will not accept the camera’s or viewers’ power over her, and her instincts drive her to intimidate, a direct and basic form of using power. The woman lashes out at her inferior.

 

 

http://hers.steirischerbst.at/

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